The Secret Wisdom of Flowers

Publisher: LAH Publications

Catalogue Number: LAH 80

Year: 2022

For: SSA with Piano

Duration: 20:00

Note: Some single movements are available below. Additional single movements are available upon request.

Commissioned by Elektra Women’s Choir (Vancouver, BC) – Morna Edmundson, Artistic Director; Nove Voce Choral Society (Prince George, BC) – Robin Norman, Artistic Director; Ariose (Edmonton, AB)- Jolaine Kerley, Artistic Director; Oriana Women’s Choir (Toronto, ON) – Mitchell Pady, Artistic Director; Aeolian Singers (Halifax, NS) – Heather Fraser, Artistic Director; Lady Cove Women’s Choir (St. John’s, NL) – Kellie Walsh, Artistic Director.

Note for pianists: a “piano only” score is available upon request.

Feedback from commissioners
It was truly our pleasure to be able to learn this beautiful new music of yours, workshop the pieces with you, and share them with the audience (and a bonus to have you there)! You write so beautifully for the voice and the independent vocal lines are so intricate and full of life. I love how you stretch the ranges and allow for the singers to fully make use of their instruments. Your writing for the piano was exquisite and your choice of poetry was varied and relatable for the singers and the audience.
~Jolaine Kerley – Artistic Director, Ariose

Composer’s Notes
I began sketching ideas for this work in the autumn of 2021, having no idea at the time what the work would eventually be. I had purchased a book of poetry called “Best-Loved Poems,” and right away found several that inspired musical ideas very quickly, and within a couple of days I had sketched the main ideas for five of the movements. I gave myself the challenge to capture these ideas as simply as possible, without deciding what they would become – if they would be part of a set or single works, if they would be for solo voices, for mixed choir, or for upper voices. It was a truly joyful creative endeavour for me, and I quickly realized these sketches would be part of a larger work for choir and piano. Later, I described the idea of this larger work to Morna Edmundson, Artistic Director of Elektra Women’s Choir, who was enthusiastic about having Elektra as part of the project; and so to my delight it became a work for upper voices and piano!

The piece explores the perspective of flowers and plants, offering an invitation to contemplate the messages, emotions, and wisdom each poetic gem has to offer. It opens with a bold and energized “floral salute” to the day in the first movement, Lord of Morning, staying with day-time themes and feelings for the playful second movement, Marigolds, and Thirsty Earth which is a rollicking drinking song. The piece then moves delicately into the evening and night with Evening Primrose, which features a romantic piano part that should be treated on equal level with the voices, in duet, allowing the phrasing of the singers and the pianist to guide the rubato. We venture deeper into the night with a chant setting of The Heart of Night, then emerge from the night with E. Pauline Johnson’s exquisitely evocative Moonset, which I’ve opened with a lush mezzo solo (selfishly, being a mezzo myself). The penultimate movement, Fire Flowers, is a meditation on the sacred process of destruction and rebirth. In fact, this text has been set so many times, I’ve wondered if it has really become a sacred text of our times, regarded with the same reverence as, for example, the text of the Kyrie. With the close of the work, we arrive again at the dawn, greeting the sun in Sunrise Along the Shore.

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Listen to a performance by Elektra Women's Choir - Morna Edmundson, Artistic Director

1. Lord of Morning

2. Marigolds

3. The Thirsty Earth

4. The Evening Primrose

5. The Heart of Night

6. Moonset

7. Fire Flowers

8. Sunrise Along the Shore

Listen to a performance by Ariose - Jolaine Kerley, Artistic Director

1. Lord of Morning

2. Marigolds

3. The Thirsty Earth

4. Evening Primrose

5. The Heart of Night

6. Moonset

7. Fire Flowers

8. Sunrise along the shore

1.   Lord of Morning

LORD of morning, light of day,
Sacred color-kindling Sun,
We salute thee in the way—
Roadside pilgrims robed in dun.

For thou art a pilgrim too,
Overlord of all our band;
In thy fervor we renew
Quests we do not understand.

At thy summons we arise,
At thy touch put glory on,
And with glad unanxious eyes
Move into the march of dawn.

            Bliss Carman (1861-1929)</em

2.   Marigolds

THE marigolds are nodding;
I wonder what they know.
Go, listen very gently;
You may persuade them so.

Go, be their little brother,
As humble as the grass,
And lean upon the hill-wind,
And watch the shadows pass.

Put off the pride of knowledge,
Put by the fear of pain;
You may be counted worthy
To live with them again.

Be Darwin in your patience,
Be Chaucer in your love;
They may relent and tell you
What they are thinking of.

            Bliss Carman (1861-1929)

3.   Thirsty Earth

THE THIRSTY earth soaks up the rain,
And drinks and gapes for drink again;
The plants suck in the earth, and are
With constant drinking fresh and fair;
The sea itself (which one would think
Should have but little need of drink)
Drinks twice ten thousand rivers up,
So fill’d that they o’erflow the cup.

The busy Sun (and one would guess
By ’s drunken fiery face no less)
Drinks up the sea, and when he’s done,
The Moon and Stars drink up the Sun:
They drink and dance by their own light,
They drink and revel all the night:
Nothing in Nature’s sober found,
But an eternal health goes round.
Fill up the bowl, then, fill it high,
Fill all the glasses there—for why
Should every creature drink but I?
Why, man of morals, tell me why?

            Abraham Cowley (1618-1667)

4.   Evening Primrose

When once the sun sinks in the west,
And dewdrops pearl the evening's breast;
Almost as pale as moonbeams are,
Or its companionable star,
The evening primrose opes anew
Its delicate blossoms to the dew;
And, shunning-hermit of the light,
Wastes its fair bloom upon the night,
Who, blindfold to its fond caresses,
Knows not the beauty it possesses;
Thus it blooms on while night is by;
When day looks out with open eye,
Bashed at the gaze it cannot shun,
It faints and withers and is done.

            John Clare (1793-1864)

5.   The Heart of Night

When all the stars are sown
Across the night-blue space,
With the immense unknown,
In silence face to face.

We stand in speechless awe
While Beauty marches by,
And wonder at the Law
Which wears such majesty.

How small a thing is man
In all that world-sown vast,
That he should hope or plan
Or dream his dream could last!

O doubter of the light,
Confused by fear and wrong,
Lean on the heart of night
And let love make thee strong!

The Good that is the True
Is clothed with Beauty still.
Lo, in their tent of blue,
The stars above the hill!

            Bliss Carman (1861-1929)

6.   Moonset

Idles the night wind through the dreaming firs,
That waking murmur low,
As some lost melody returning stirs
The love of long ago;
And through the far, cool distance, zephyr fanned.
The moon is sinking into shadow-land.

The troubled night-bird, calling plaintively,
Wanders on restless wing;
The cedars, chanting vespers to the sea,
Await its answering,
That comes in wash of waves along the strand,
The while the moon slips into shadow-land.

O! soft responsive voices of the night
I join your minstrelsy.
And call across the fading silver light
As something calls to me;
I may not all your meaning understand,
But I have touched your soul in shadow-land.

            E. Pauline Johnson (1861-1913)

7.   Fire Flowers

And only where the forest fires have sped,
Scorching relentlessly the cool north lands,
A sweet wild flower lifts its purple head,
And, like some gentle spirit sorrow-fed,
It hides the scars with almost human hands.

And only to the heart that knows of grief,
Of desolating fire, of human pain,
There comes some purifying sweet belief,
Some fellow-feeling beautiful, if brief.
And life revives, and blossoms once again.

            E. Pauline Johnson (1861-1913)

8.   Sunrise Along the Shore

Athwart the harbor lingers yet
The ashen gleam of breaking day,
And where the guardian cliffs are set
The noiseless shadows steal away;
But all the winnowed eastern sky
Is flushed with many a tender hue,
And spears of light are shining through
The ranks where huddled sea-mists fly.

Across the ocean, wan and gray,
Gay fleets of golden ripples come,
For at the birth-hour of the day
The roistering, wayward winds are dumb.

The rocks that stretch to meet the tide
Are smitten with a ruddy glow,
And faint reflections come and go
Where fishing boats at anchor ride.

All life leaps out to greet the light —
The shining sea-gulls dive and soar,
The swallows whirl in dizzy flight,
And sandpeeps flit along the shore.
From every purple landward hill
The banners of the morning fly,
But on the headlands, dim and high,
The fishing hamlets slumber still.

One boat alone beyond the bar
Is sailing outward blithe and free,
To carry sturdy hearts afar
Across those wastes of sparkling sea;
Staunchly to seek what may be won
From out the treasures of the deep,
To toil for those at home who sleep
And be the first to greet the sun.

            L. M. Montgomery (1874-1942)